In some cases

move? Even a good thing, no matter the pressure will produce will be a fear of threat. How Well I say this? The habits of human beings have the status quo, when we

are familiar with the environment itself, we will too lazy to do anything to change. But when the change occurs, we know the world is shaking, we will feel

uncomfortable. Threat emerged. Threat comes from change. Erupted in the story you know where to start, the story began in the [changed>;. A stranger from the bus down.

A new family moved into. You received a telegram. These are opening up a story of a good time. Do not write the story from the start before 〔〕 change, not to throw a

bunch of background settings. Do nothing to do with the story of events from start to write. Do not change from 〔〕 occurred long after, this will confuse the reader.

〔〕 Where open to change, the story of where to start. Of the background setting is to slow to deal with. Readers do not care about these things, they want to change

is 〔〕 want is fear Wei Association, want to know the role of the incident response. Remember what readers want. Do not care about what the author himself, to impose

upon the reader. You have to start again when she wants to give the reader, or readers will not want to read on. She wants a threat. Threats often come from the

change. Down in a notebook 10 times you think you feel threatened or scared to death most of the time. Maybe everyone remember that time is different, but I bet you

drive, are absolutely related with the change. When you understand this point, you can be listed next to a ten story you think suitable for use in the beginning, the

changes will pose a threat. Either in person can experience or imagine. The next time you start to write new stories hit the wall, they can put out this list, you do

not need the headache that the hot car, you can directly cut into the story focus.

6. Do not describe the sunset. Readers read novels, you need through the "description" to describe the setting and characters, they can truly enter into the

interaction. But some of the too often spend too much effort put into the description, and often carried out in the story stopped to describe the sunset, thinking to

write wonderful prose for the purpose of forgetting something when they stopped to describe how long, the progress of the story and also stopped. My friend

CliftonAdams is a good short story written by West, the novel is author, a winner in his work, he spent several pages to describe a sunset. It was a deviation from the

guidelines but parade of professional work. But only under special conditions in the establishment, Adams lay out the design of this scenario is to tell the readers a

dire threat coming. Soon as night fell, a group of thugs planned, will attack a lonely hero out of a small camp was good for him. For these reasons, a description of

the sunset every word is meaningful, all full of pain and a sense of suspense. Regardless of how poetic that describe you, only in some special occasions, you can

spend a lot of space to be described. Novice writers often spend a lot of time describing the sun as the old one between the author or the publisher of the classic

joke, in some cases, you just say "such as the rosy dawn of touch" around will reveal a knowing smile. We know from the previous section, the novel, the plot is to

push straight ahead, while the description of the story will come to a halt. Described by a lot of settings or characters in the novel, like physicists face "law of

euncertainty," but the same can not want to describe electronic. "If you know the exact whereabouts of E, to not knowing where you are, and vice versa." I think he is

saying is if you want a very detailed description of something, it must stop "action." However, there is